THE IMAGINE OF LOVER IN THE WORKS OF POETS THAT CAUGHT THE EYE OF NAVOI
Keywords:
idea, love, truth, sweetheart, Allah, ghazal, worldly love.Abstract
The article reflects the attitude of Gadoi, Sakkoki, Atoi, one of the most influential artists of Alisher Navoi, to the image of a lover in his poetry, the ideological content of his poems, his art and the poet’s mystical views. While in some parts of their poetry these composers have sung worldly love as lover, in others we can see that they have written the true love of Allah when they say love. For some time, for some reason, a one-sided approach to the work of the abovenamed artists prevailed. The love in their creation is interpreted only as worldly love. It is worth mentioning some of the poems of Atoi, Gadoi and Sakkoki, who are considered to be the most famous artists of their time, and we will see that in these ghazals the word “Lover” means Allah.
References
Ahmadxo‘jayev, E. (1978). Gadoiy, Toshkent: Fan.
Çağatay Edebiyatı. (1945). İslam ansiklopedisi, 3.cilt, 24.cüz, İstanbul, Maarif matbaası, 270-323.
Eckmann, J. (1960). Çağatay dili örnekleri II. Gedai divanindan parçalar, İstanbul Üniversitesi Edebiyat Fakültesi, Türk dili va edebbiyati dergisi, İstanbul Edebiyat Fakültesi matbaası, cilt X, I Eylül, 65-110.
Hakimov, M. (1974). Gadoiy devoni, Toshkent haqiqati gazetasi.
Hayitmetov, A. (1974). Hayotbaxsh chashma, Toshkent.
Köprülü, M.F. (1914). Dokuzuncu ve onuncu asırlardaki Çağatay şairleri, Türk Yurdu, seri I.
Nosirov, O. (1974). Gadoiy devoni, O‘zbekiston madaniyati gazetasi.
O‘zbek adabiyoti tarixi. (1966). Beshinchi tom. Toshkent.
Rustamov, E.R. (1967). Gadoiyning qasidasi va “Majolis un-nafois”ning yozilish tarixi”, O‘zbek tili va adabiyoti.
Ruzmanova, R. (2021). Аlisher Navoiy g‘azalları ta’sırıda yozilgan 33 nazira. Alisher Navoiy Xalqaro jurnal, (1), 205-210. 11. Ruzmanova, R.U. (2020). Naziranavislik an’analari haqida. So‘z sana’ti xalqaro jurnali, 3-jild, 2-son, 158-165.
Sultanov, T.I. (2018). Ali Şir Nevaî Şiirinin Sadık Bey Sadıkî Sanatına Etkisi. Dil ve edebiyat araştırmaları Uluslararası dergisi, 18, 277-285.
Sultanov, T.I. (2021). Alisher Navoi Century and Prose in Almaz Ulviy Research. International Journal of Alisher Navoi, 1(2), 166-171.
Sultanov, T.I., Ruzmanova R.U. (2020). Comparative analysis of Alisher Navai’s Majalis unNafais and Sadiqi Beg Afshor Sadiqi’s Majma’ al-Khavas. International Journal of Psychosocial Rehabilitation, 24/08, 1565-1577.
The Divan of Gada’i. (1971) Edited by Janos Eckmann. Indiana University Publications, Uralic and Altaic Series, Bloomington, Indiana University, The Hague, Mouton, vol. 113, 538.
The Divan of Gadai comprises 229 gazals, 2 qasidas. (1971). USA.
Алишер, Навоий. (1997). Мажолис унғнафои, МАТ, 20 жилдлик, Тошкент: Фан, Ж.13.
Алишер, Навоий. (2000). Муҳокамат ул-луғатайн. Мезон ул-авзон. Тарихи анбиё ва ҳукамо. Тарихи мулуки Ажам. Арбаъин. Сирож ул-муслимин. Муножот. Рисолаи тийр андохтан, МАТ, 20 жилдлик, Тошкент: Фан, Ж.16.
Гадоий. (1965). Шеърлар, Тошкент.
Гадоий. (1973). Девон. Бош муҳаррир: Ҳамид Сулаймон, Тошкент.
Рузманова, Р. У. (2011). Влияние традиции Алишера Навои на османскую поэзию: Автореф. дисс. канд. филол. наук.
Султонов, Т.И. (2018). Творческое наследие Алишера Навои и современность. «Творческое наследие Алишера Навои и современность» (сборник докладов Международной научно-практической конференции МГУ имени М.В.Ломоносова, Москва, 171-174.
