THE PROPHECY PROBLEM AND THE INTERPRETATION OF THE IMAGE OF CHRIST IN THE DEVON OF ALISHER NAVOI “BADOYI' UL-BIDAYA”
Keywords:
Navoi's lyrics, divine image, Christ image, poetic function, artistic interpretation, devotion, ghazal genre, lyrical heroAbstract
This scientific article is devoted to the study of the world of images and symbols of Alisher Navoi's poetry. It is known that the description of divine, literary and historical figures occupies a fruitful place in the system of images of the East, especially Alisher Navoi's lyrics. For the description of divine symbols, heavenly books: Psalms, Torah, Bible, Qur'an, oral and written works in the description of literary symbols, and historical and artistic records serve as a source for the interpretation of historical figures. In this article, Alisher Navoi's "Badoyi' ul-Bidaya" lyrical divan is discussed about the image-artistic interpretation of Christ based on divine sources. In the poetry of Alisher Navoi, the image of Christ is used more than two hundred times, out of which it is mentioned seventy times in the book "Badoyi'ul-Bidaya". This shows that the description of the image of Christ in the lyric poem "Badoyi'ul-bidaya" is more significant than other poems. Therefore, this article reveals the poetic scenes performed by the image of Christ based on the poet's first poem "Badayi'ul-Bidaya". In this divan, the image of Christ is mainly expressed in the ghazal genre. In the article, the poetic tasks performed by this symbol are analyzed through examples, and the features of the artistic expression of these functions are revealed.
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