SOVET ORIYENTALIZMI VA TARIXIY XOTIRANING MAFKURAVIY REKONSTRUKSIYASI: SOVET KINOSIDA ALISHER NAVOIY OBRAZINING TALQINI
##article.subject##:
oriyentalizm, rus oriyentalizmi, sovet oriyentalizmi, sovet kinosi, Sharq obrazi, reprezentatsiya, Alisher Navoiy, Kavkaz asirasi, Oq sahro quyoshi, mafkura, postkolonializm, rekonstruksiya##article.abstract##
Mazkur maqolada sovet oriyentalizmining kinodagi mafkuraviy mexanizmlari tahlil qilingan. Tadqiqotda avvalo sovet oriyentalizmining nazariy-paradigmal asoslari hamda uning Sharq xalqlari va madaniyatlarini tasvirlashdagi mafkuraviy xususiyatlari yoritilib, “Kavkaz asirasi” va “Oq sahro quyoshi” kinofilmlari “Alisher Navoiy” badiiy filmining oriyentalistik kontekstdagi tahlilini amalga oshirishda nazariy-metodologik asoslarni kuchaytirish maqsadida ko‘rib chiqilgan. Maqolada “Alisher Navoiy” filmi misolida o‘zbek milliy madaniyati, tarixiy xotira va Sharq reprezentatsiyasining sovet mafkurasi doirasida qanday amalga oshirilganligini yoritishga harakat qilindi.
Библиографические ссылки
Yıldırım, E., & Hira, İ. (2016). Türk televizyon dizilerinde oryantalist yansımalar: Muhteşem Yüzyıl örneği. PESA Uluslararası Sosyal Araştırmalar Dergisi, 2(2), 43–53.
Ro‘ziboyev D.D. Rus oriyentalizmining shakllanishi va uning o‘ziga xosligi. “Ta’lim tizimidagi islohotlar: olimlar va yoshlar nigohida” mavzusidagi ilmiyamaliy konferensiya to‘plami // Toshkent, 2023-yil 13-aprel. B.428-432.
Morrison A. “Applied Orientalism” in British India and Tsarist Turkestan // Comparative Studies in Society and History. – 2009. – Vol. 51, No. 3. – P. 619–647, esp. P. 620–625.; Khalid A. Making Uzbekistan: Nation, Empire, and Revolution in the Early USSR. Ithaca: Cornell University Press, 2015; Tolz V. Russia's Own Orient: The Politics of Identity and Oriental Studies in the Late Imperial and Early Soviet Periods. Oxford: Oxford University Press, 2011; Kassymbekova B. Fear, Loathing and Revolution: Stalin's Soviet Empire in Central Asia. Pittsburgh: University of Pittsburgh Press, 2021.
Cinema for the “Soviet East”: National Fact and Revolutionary Fiction in Early Azerbaijani Film Author(s): Michael G. Smith Source: Slavic Review, Vol. 56, No. 4 (Winter, 1997), p 646.
Stalin quoted at the Thirteenth Congress of the Russian Communist Party in 1924, from Richard Taylor, The Politics of the Soviet Cinema, 1917-1929 (Cambridge, Eng., 1979), 64. For background, see Jay Leyda, Kino: A History of the Russian and Soviet Film (Princeton, 1985), 158. Slavic Reviezv 56, no. 4 (Winter 1997)
«Белое солнце пустыни». Как создавался культовый советский истерн. https://dzen.ru/a/ZCV-rk2Lwi5O6I1d?ysclid=mps9ckyur9932657350
Кавказская пленница, или Новые приключения Шурика. СССР, 1967. https://dzen.ru/a/aM0atbGAjgQn4hfe?ysclid=mps9l51fxg575333403.
Пушкин А.С. Кавказский пленник // Полное собрание сочинений: в 10 т. Т. 4. Москва: Художественная литература, 1975. Толстой Л.Н. Кавказский пленник // Собрание сочинений: в 22 т. Т. 10. Москва: Художественная литература, 1982;
Shohida Eshonboboyeva. Qatʼiy mafkuraviy talablar asosida ishlangan kino. “Alisher Navoiy” haqidagi yagona oʻzbek badiiy filmi tahlili. https://oyina.uz/uz/article/2485.
