THE ROLE OF THE REPRESENTATIVE OF THE DYNASTY IBRAGIMOVS IN THE DEVELOPMENT OF THE TASHKENT WOOD CARVING SCHOOL
Keywords:
applied art of the Uzbek people, wood carving, school representatives, wet drawing style, dynasty, decorative art, carvingAbstract
This article analyzes the specific methods and directions of wood carving in Tashkent. In addition, the activities of the schools of Tashkent, Ferghana, Bukhara, Samarkand and Khiva were studied in the schools of wood carving and decorative arts of Uzbekistan. These schools share many technical, methodological, and compositional similarities as well as differences. On its basis, the technical, methodological and compositional aspects of the Tashkent school and the activities of representatives of the Ibragimov dynasty were comprehensively studied.
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