SCIENTIFIC ANALYSIS OF THE ARTISTIC ESSENCE OF ALISHER NAVOI’S CREATIVITY

Abstract

The article examines Alisher Navoi’s views on the perfect human being and the ideal society through a comparative-typological analysis within the framework of the intellectual heritage of prominent Eastern thinkers such as Yusuf Xos Hojib, Ahmad Yugnakiy, Nosiruddin Burhonuddin o‘g‘li Rabg‘uziy, Nosir Xusrav, Kaykovus, Nizomiy Aruziy Samarqandiy, Fariduddin Attor, Sa’diy Sheroziy, Ubayd Zokoniy, Abdurahmon Jomiy, and Husayn Voiz Koshifiy. The article also discusses Navoi’s use of figurative imagery and artistic expressive means in poetry. To support the arguments, the author refers to authoritative Islamic sources. It highlights how the lyrical works of the great poet expand in meaning through various artistic and descriptive techniques. The author emphasizes that the issues of the ideal society and the perfect individual have always been central to creative thinkers across all periods. In this context, works such as Siyosatnoma, Qobusnoma, Chahor Maqola, Guliston, Bahoriston, Mahbub ul-Qulub, and Axloqi Muhsiniy are noted as having emerged in response to the needs and demands of their respective eras. The scholar further explains that these works differ not only in artistic value but also in terms of their system of characters and thematic scope.