Vol. 3 No. 2 (2023): INTERNATIONAL JOURNAL OF ALISHER NAVOIY

Статьи

• THE FIVE PASSAGES OF ETERNITY

  Jumagul SUVONOVA

  • PDF (Ўзбекча)

• INTERPRETATIONS OF THE IMAGE OF AMIR TEMUR IN WORKS OF NAVOI AND ENGLISH WRITERS

  Zebo YAKHIEVA

  • PDF (Ўзбекча)

• ALI SHIR NAVÂYÎ’S INFLUENCE ON THE TURKIC WORLD

  Osman Fikri SERTKAYA

  • PDF (Русский)

• СОҚИЙНОМА – ҲАЁТ ВА ШОДЛИК МАНЗУМАСИ

  Ibrohim HAQQULOV

  • PDF (Ўзбекча)

• THE INTERPRETATION OF THE IDEAS OF THE EPIC “KHAIRAT UL-ABROR” BY ALISHER NAVOI IN MINIATURE WORKS (in the example of Prince Badiuzzamon's handwriting)

  Gulabza KARSHIEVA

  • PDF (Ўзбекча)

• UBAYDULLAH KHOJA AHRARY VALIY HAZRAT IN THE INTERPRETATION OF ACADEMIC BOTYRKHAN VALIKHOJAYEV

  Akbarxon ASROROV, Mardon BOLTAYEV

  • PDF (Ўзбекча)

• NAVAI DICTIONARIES PREPARED IN OGHUZ COUNTRIES AND TRANSLATIONS OF NAVAI’S WORKS INTO OGHUZ

  Saidbek BOLTABAYEV

  • PDF (Ўзбекча)

• PHILOSOPHICAL INTERPRETATION OF THE PROBLEM OF EXISTENCE IN THE CREATION OF ALISHER NAVOI

  Toji NOROV

  • PDF (Ўзбекча)

• WHO MAKES MUSIC WITH LOVE (On the example of the analysis “Lison ut-tyre”)

  Abdurayim TUROBOV

  • PDF (Ўзбекча)

• THE PROPHECY PROBLEM AND THE INTERPRETATION OF THE IMAGE OF CHRIST IN THE DEVON OF ALISHER NAVOI “BADOYI' UL-BIDAYA”

  Usmon QOBILOV

  • PDF (Ўзбекча)

• ROMANO-GERMANIC PHILOLOGY RESEARCHERS FROM UZBEKISTAN AS PIONEERS IN FOREIGN NAVOI STUDIES

  Aftandil ERKINOV

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• THE MODERN SIGNIFICANCE OF ALISHER NAVOI’S WORK: HOW HIS IDEAS AND VALUES CAN BE RELEVANT FOR MODERN SOCIETY

  Nasiba OCHILOVA, Shoira TEMIROVA

  • PDF (Русский)

• ANALYSIS OF ACADEMICIAN BOTIRKHON VALIKHOJAYEV’S RELATIONSHIP TO THE TRADITIONS OF KHAMSAPRITURE AND VIEWS ON “KHAMSA” NAVOI

  Dilshoda KHASANOVA

  • PDF (Ўзбекча)

• ART AND POLITICS IN CENTRAL ASIA AT THE BEGINNING OF THE 16TH CENTURY

  Maria SUBTELNY

  • PDF (Ўзбекча)

• MANIFESTATION OF ARTISTIC STYLE IN CLASSICAL LITERATURE

  Dilnoza BURONOVA

  • PDF (Ўзбекча)

• REALIZING NAVOI'S ENLIGHTENMENT

  Ahadjon MUHAMMADIYEV

  • PDF (Ўзбекча)